Annoying Lamination
Transform the Polygons Bursting Their Rectilinear Lines
Dare to get out of your comfort zone. Express loud and clear your refusal to annoying lamination. Refuse the plasticization of the masses by freely continuing our creativity without any censorship.
Show off outside the mold. Perform outside the box. Eliminate strict and closed forms.
Transform the polygons by bursting their rectilinear lines. Extend the linear voids to floating meandering curvatures.
Explore the three-dimensional monochromatic textures of absolute whites and blacks giving birth to greys with infinite hues.
Prove that the annoying flatness of the flat-line is capable of producing polychromatic hopes.
Fitting the curve seems to be trendy to reassure the mass and level the art of judgment down.
Slow down the individual to prevent him from rising exponentially in his brilliant originality.
The artist will have to create while moving away from Bell’s curve.
Normally, in the first percentile, any emerging artist faces uncertainties based on poor mass responses.
Unfortunately, this is the part of the trajectory that discourages the artist the most and where the artist loses the most.
Those who resist this inevitable transition can continue their progress in normal distribution in the most popular part of Bell’s curvature. It is here, in the second percentile, that artists have a critical decision to make on the intersection of the division of the curve.
The emerging but insecure artist will choose to settle there almost permanently, loving the sweet comfort of the stability of the mass and regularity.
Settling there often means killing your creativity and gently living in a jaded mood for the rest of your career. Even ending up hating your work, your life and even family. In return, the emerging but go-getter and dreamer artist says goodbye to comfort and certainty and embarks on surpassing oneself and continues on its way to the third percentile.
The dreamy artist understands that he must climb and stand out along the curve that he is progressing. The future of his creations must stand out from the average and the standard deviation of mass.
Once reached the third percentile of the Bell curve may seem very good to settle there in the longer term since the artistic niche is still very motivating to keep the soul of the artist alive. Some reside there for a while, but others more adventurous push their creations while trying to continue towards the final stage, the fourth percentile. This final stage reveals two coveted revelations that offer two other possibilities of creative nobility.
In the fourth percentile, artists can stay in the top ninety-fifth percentile, while continuing their arts of impulses coming directly from their passions and authenticity while respecting their integrity. Hardly achievable, the second revelation of the fourth percentile, the artists’ Sangreal, is to be able to reach and surpass the top ninety-fifth percentile, to open the door to the worlds of high-level outliers.
Creatively, an outlier is an artist whose creative art curbed from the main path, does not revolve around the general trend, and does not follow the rest of the art communities’ popular movements. The Sangreal of any artist who has reached the top as an outlier is gaining the influential artist crown. The irony of any influential artists who have reached the top of the Sangreal is that, they get to influence the mass. They have reached the right to drive the trends and decide whether their influential art will be linear or nonlinear.
Influential artists gain the golden coefficient of determination badge, coveted by emerging artists.
The importance of continuing to create with passion, conviction and truth with all your soul, and not just to please the masses, takes on its full meaning here.
Francine Fallara, 2020
Author of “Inkling Whispers” eBook edition and Paperback available on Amazon and Kindle.
