avatarZcynel Nathan Ferido

Summary

A child living in a Taguig City condominium briefly befriends a less fortunate child who climbed into the complex, leading to a day of play and a reflection on societal prejudices.

Abstract

The narrative recounts a day in the life of a young resident of a Taguig City condominium who encounters a street-smart child from outside the complex's walls. The visitor, despite his rough appearance and humble origins, shares his marbles and teaches the author the joy of simple play. The day spent together challenges the preconceived notions of danger and otherness held by the residents within the walls, including the author's mother. The experience serves as a poignant reminder of the importance of kindness, understanding, and the impact one good day can have in bridging societal divides. The author reflects on the incident as an adult, drawing inspiration from Alan Moore's "The Killing Joke" to emphasize that a single positive experience can counteract the potential for negativity and lunacy in an unpredictable world.

Opinions

  • The author believes that societal prejudices are unfounded, as the "outsider" child was not dangerous but simply another child seeking companionship.
  • The author's mother's reaction reflects the common fear and judgment towards those from less privileged backgrounds, which the author implicitly criticizes.
  • The author suggests that the privileged often lack understanding and quickly judge those with different circumstances, highlighting the importance of empathy and sensitivity.
  • The author is inspired by the idea that a single good experience can have a profound impact, contrasting with the notion that a single bad day can lead to madness as suggested by Alan Moore.
  • The author appreciates the simplicity and joy found in the unassuming play with marbles, indicating that material wealth does not necessarily equate to happiness or quality of life.

All It Takes Is One Good Day

To restore sanity in this insane world

Image by Grugus on Pixabay

My mother and I were from a rural province, but we lived inside a condominium complex in Taguig City for a while. I often stayed there beside the eastern wall — a giant block of concrete with faulty electrical security wires.

I was just 8 years old, sitting under the shade of a large wooden swing in a garden.

I was alone until I wasn’t. A random kid had fallen from the top of the wall, somehow maneuvering his way around the wires, and fell with a thud. I watched him pick himself up and slowly walk towards me.

Here I was, baffled that some kid from outside — thin with ragged clothes, dirt smeared all over his body — had managed to climb inside.

He sat beside me in the swing.

“It’s way better here, you know,” he said.

“Where did you come from?” I asked.

“Outside.”

He smelled like the streets — an odd combination of vehicle smoke, secondhand cigs, sweat, and more sweat dried up and condensed into his rough skin, which was two shades darker than mine.

He pulled out a tattered blue pouch. He opened it and showed me these diamonds… no, marbles — little shiny plastic balls with waves of assorted colors painted inside.

Photo by Sharon Pittaway on Unsplash

“Where’d you get those?” I asked.

“Someone gave them to me as a present,” he said. “Let’s play!”

And we did. Hours passed and we took turns tossing the marbles in the dirt, in the fancy green grass, and we played all kinds of games. We laughed, we screamed, we had fun.

“I should go now,” he said.

“Okay.”

“You should come outside, too. We can play at my house. But, you know, we don’t have a swing.”

“Where do you live?” I asked.

“Outside,” he said.

That was the first and last time I have ever seen him. I didn’t even catch his name.

Of course, I told my mother. She scolded me. I should never interact with kids from the slums, she said. I could’ve gotten hurt. I could’ve been kidnapped. He must’ve worked with some syndicate, luring unsuspecting kids to their secret lair, and I would’ve been exploited into child labor or had my organs harvested for profit.

Was that kid a bad person? No, I don’t think he was.

Other people — the ones that lived inside the walls — saw him as dangerous. Just because he was born in a different place and had different circumstances. It’s funny how the privileged are always the ones so quick to judge. They sit comfortably inside their safe spaces when all it takes is one “break-in” to crumble their morality.

He was just another kid, like me. He got lonely from time to time. He found someone to play with and he had fun. He made my day. I still think about it from time to time.

Perhaps it’s a reminder to be kind, to be understanding, to be sensitive.

Alam Moore wrote in The Killing Joke:

All it takes is one bad day to reduce the sanest man alive to lunacy. That’s how far the world is from where I am. Just one bad day.

Similarly, all it takes is one good day to do the opposite.

I was inspired to write this article after reading 10 Ways That Life Truly Is Like a Box Of Chocolates by Hudson Rennie.

Either the fancy wrapping heightens our expectations or it’s used to mask a subpar product. Either way, life isn’t always what it seems. And for better or worse, you should never judge a book by its cover.

Thank you, Winston, for the opportunity to write for Coffee Times.

Coffee Times Movement
Creative Non Fiction
Nonfiction
Short Story
Reflections
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