7 Bizarre and Creepy Cursed Objects That Museums Keep Hidden Away

Why these cursed objects are too dangerous for any museum to showcase.

Have you ever heard of cursed objects? These mysterious artifacts have been said to have a supernatural power that causes bad luck or even death to those who come into contact with them.

While some museums may choose to display these eerie items, many are kept hidden away from the public.

Today we’ll be looking at 7 of the most bizarre and creepy cursed objects that are kept in storage by museums around the world.

Read on to find out more about these strange and mysterious items!

7- Robert The Doll — The Cursed Toy That Terrified Its Owners

Robert the Doll is one of the most famous cursed objects in history and is one of the items that museums are refusing to showcase.

The creepy doll was owned by Key West painter and author Robert Eugene Otto and allegedly had been given to him as a gift by a Bahamian servant who was skilled in voodoo.

Robert was said to be able to move around and whisper to people, and it has caused so much distress for visitors that it is kept in the East Martello Museum, where it is locked away from public view.

Those brave enough to visit the doll claim that it can still be heard whispering, making this one cursed object that it is probably best not to go near.

6- The Conjured Chest — A Symbol Of Magic And Wonder

A mysterious wooden chest with iron straps, the Conjured Chest is said to have been built in 1780. Originally intended as a storage device for clothing, it quickly gained notoriety as a cursed object.

People who opened their chests without permission experienced various forms of misfortune, ranging from being struck by lightning to financial ruin.

Those who attempted to move it found that it was inexplicably heavy and nearly impossible to transport. Museums know of its dark reputation and choose not to display it, despite its impressive craftsmanship.

5- The Devil’s Chair — A Haunted Piece Of Furniture Museum Curators Fear

The Devil’s Chair is an ancient, armless chair that can be found in the Bleckley Inn located in Georgia. This wooden chair is believed to have a cursed spirit that causes anyone who sits on it to feel an eerie chill.

It is said that a man was murdered in the inn and his spirit lingers in the chair. Reports suggest that this chair has caused people to become nauseous and dizzy, and to even suffer from anxiety.

Those brave enough to sit on it have felt their feet become cold, and some have even heard strange noises and whispers while near it. Others claim that they have seen figures walking by the chair.

The Bleckley Inn refuses to allow visitors to come near or touch the Devil’s Chair due to the ominous feelings it evokes.

4- James Dean’s car — Rebel without a Cause

James Dean was an iconic American actor and cultural icon, tragically killed in a car crash in 1955. His beloved Porsche 550 Spyder was called “Little Bastard” and gained a reputation for being cursed after his death.

It was involved in multiple crashes and those who owned it experienced bad luck. Its engine was sold to another driver, who was then killed in a race.

The car itself is said to have vanished without a trace, which only served to increase its mysterious reputation.

Legends also claim that all the parts of the car were sold to various people, all of whom were subsequently involved in some type of accident.

Whether or not the car is truly cursed remains unknown, but it remains one of the most infamous objects that museums refuse to showcase.

3- The Basano Vase — The Italian Artifact That Brings Tragedy To Its Owners

The Basano Vase is a mysterious object that’s said to be cursed. Legend has it that the vase was created for an Italian nobleman in the 15th century and it was filled with priceless gems.

It was passed down through the generations until one of them, a woman, broke it in a fit of rage. Ever since then, anyone who touches or even looks at the Basano Vase is said to suffer bad luck.

This may explain why museums have chosen to keep the vase out of their collections — they don’t want to risk having bad luck on their hands!

The Basano Vase remains hidden away, and only a few brave souls have ever dared to look upon it.

2- The Hands Resist Him — The Artwork That Terrifies Even Museum Curators

The Hands Resist Him, painted by Bill Stoneham in 1972, has become one of the most mysterious and cursed paintings ever created.

It depicts a young boy and a doll standing outside a door with their hands touching the glass. The painting has been known to cause nightmares and strange events for those who have owned it.

Reports of moving figures and doors opening on their own have been reported. This painting is so notorious that many museums have chosen to not even exhibit it due to its eerie reputation.

1- The Bronze Lady — A Reflection of Sleepy Hollow’s

The Bronze Lady is an eerie sculpture housed in the Mütter Museum of medical history in Philadelphia. The figure was constructed to resemble a woman and is made from tissue casts taken from patients’ bodies.

Those who have come into contact with the sculpture report feeling uneasy, and many believe it is cursed.

It’s unclear if the figures are intended to be sculptures or monuments, but regardless, the museum has kept it out of the public eye.

Local legend says that anyone who disturbs the figure will bring bad luck upon themselves, so the museum keeps it hidden away as a precaution.

Whether or not this statue is cursed, it is certainly creepy and could be an excellent addition to any horror movie.

Points To Ponder

Overall, the items on this list of cursed objects that museums refuse to showcase represent just a small fraction of the creepy and mysterious relics that haunt our world.

It’s easy to be enchanted by the stories surrounding these cursed objects, but it’s important to remember that many of them have been tied to tragedy or untold horror.

It’s best to let these cursed objects remain in their place of rest, never to be brought forth into our everyday lives.

Join Medium Today

More from the author: