52 Week Photography Challenge? Don’t Do It Alone.
The benefits of working with others.

It is the time of the year when 52 Week Photography Challenges populate the internet like mushrooms after a rain. The concept is simple: create one photograph a week based on criteria provided by the designer of the challenge. Share your image on social media. Rinse and repeat for 52 weeks.
The challenges are based on categories, or prompts, designed to expand your photography skills — by pushing you in new creative directions. You may be an enthusiastic landscape photographer who is suddenly asked to shoot a portrait. A dedicated street photographer may find light painting to be a foreign concept, yet interesting and playful once experienced. That is the secret sauce of a 52 Week Challenge: you will become a better photographer by immersing yourself in these new experiences.
Don’t do it alone.
Five years ago, I invited two friends to join me in a 52 Week Photo Challenge. The intent — based on decades of friendship — was to go beyond a mutual admiration loop. I wanted honest critique. I also thought that working with others would collectively improve our photographic skills. This was not about collecting “likes,” or “claps,” or pats on the back. I was looking to tap into the knowledge and skill of two photographers who I respect and admire. I trusted them enough to be completely honest in their assessment. I knew they would not just give fluffy compliments. They would carefully dissect the merits, or pitfalls, of the images without fear of bruising or inflating egos. Learning to identify the specific elements that make an image work, or fail, is invaluable information. That is what I was looking for.
The secondary benefit of having partners in this photo adventure is that they keep you accountable. You cannot hide behind anonymity. They know who you are.
So, what did you create?
The challenge, originally published in the photography portal PetaPixel, asked that you create photographs based on three rotating categories: Story telling, Technical, and Artistic Impression. From depicting levitation to photographing a stranger. From creating leading lines to telling a story using a mirror. There was enough variety in the weekly challenges to keep everyone interested. For example, one of the tasks asked to tell the story of something forgotten. How would you approach that?



Moving on.
After 52 weeks of shooting, editing, posting, and commenting — the project proved successful. I believe that working through the challenge with other photographers was an important reason for its success. It was a fun, interactive, engaging, and rewarding experience. The proof: we decided to continue for another 52 weeks, but we collectively designed our own weekly tasks that following year.
Give it a try.
I would encourage anyone to find a friend or two to accompany you in a year-long photo project. I am confident that the experience will expand your visual toolbox, and help you become a better photographer.
To get you started.
Here are ten suggestions you may want to try to get you started. I hope you find them inspirational:
- Color outside the lines. Interpret that as you will.
- The Moody Blues. Like the band, or not.
- Abandoned. Show the lost and found.
- A song title. Got a favourite tune?
- Power to the people. Interpret that as you will.
- Light trails. Slow that shutter speed and catch the light.
- Toy story. Lots of room to be playful here.
- Still Life. A good project for a winter day.
- Upside down. Turn the world on its head.
- Tell your story. Flip the camera inwards.







