The article discusses a list of cover songs that the author believes surpass the quality of the original versions, with a particular focus on the energy and interpretation brought by the covering artists.
Abstract
In a bold musical critique, the author presents a compilation of cover songs that they argue are superior to the originals. The list includes The White Stripes' rendition of Bob Dylan's "One More Cup of Coffee," The Smithereens' take on Bruce Springsteen's "Downbound Train," and Sex Pistols' version of The Monkees' "Stepping Stone." The author, Paul Mansfield, expresses a strong preference for these covers, often citing the original artists' lack of showmanship or overly orchestral arrangements as reasons the covers excel. The article is punctuated with the author's candid and often irreverent opinions on iconic bands like The Beatles and Led Zeppelin, suggesting that the covers bring a fresh perspective to classic songs. A Spotify playlist is provided for readers to compare the original tracks with the covers that "blow the living shit out of the original."
Opinions
The author asserts that Dylan's performance skills do not match his songwriting prowess, which is why covers like The White Stripes' version of "One More Cup of Coffee" are superior.
Springsteen's music is deemed too orchestral, with The Smithereens' cover of "Downbound Train" being favored for its stripped-down rock approach.
The Sex Pistols are credited with improving The Monkees' "Stepping Stone," emphasizing the importance of the punk band's influence.
The Sonics' version of "Louie, Louie" is praised for its raw energy, outshining The Kingsmen's well-known cover.
The Dickies' punk rock rendition of "Eve of Destruction" is preferred over the original and other covers due to its transformation from a folk-rock song to a punk anthem.
The author vehemently dismisses The Beatles' deification, expressing a clear preference for The Damned's cover of "Help."
Led Zeppelin's music, while influential, is criticized for Robert Plant's vocal style, with DOA's version of "Communication Breakdown" seen as a superior interpretation.
Devo's and Guitar Wolf's covers of The Rolling Stones' "Satisfaction" are celebrated for their originality and live performance energy, respectively.
The Circle Jerks' cover of "Wild In The Streets" is lauded for taking the song "from mild to wild."
Eddie and the Hot Rods' version of Bob Seger's "Get Out Of Denver" is highlighted as a standout cover that does justice to the original's Chuck Berry inspiration.
Jason and the Scorchers' cover of Dylan's "Absolutely Sweet Marie" is deemed to "absolutely rock," suggesting that many covers of Dylan's songs are better than his originals.
The author's jaded view on Dylan's post-motorcycle accident performances is evident, yet acknowledges the songwriter's influence on other legendary musicians.
The article concludes with a Spotify playlist that juxtaposes the original songs with their respective cover versions for the reader's enjoyment and comparison.
MUSIC OPINION
10 Plus 1 Covers That Blow The Living Shit Out of The Original
Prepare to be annoyed or to be amazed — your choice
Having just read Pierce McIntyre’s story (a couple of months ago by now), 20 Cover Songs I Prefer Over The Originals, I decided to write a version of my own.He had asked for the ideas in the comments, but I thought, “Fuck that. I’ll write my article and make a buck or two myself.”
I’ve included a playlist at the bottom of the article, with the original and the version that kicks its ass, for your enjoyment. And, with no further ado, here is my list.
1) One More Cup Of Coffee — The White Stripes
Dylan, incredible songwriter, terrible performer. The one time I saw him, at the CNE grandstand in Toronto in the late 80s, G.E Smith kept upstaging Bob. At that time, I wondered why Dylan would have somebody in his band constantly upstage him, but now I realise somebody has to have some showmanship. Like I said, incredible songwriter. Almost as good as Townes Van Zandt.
2) Downbound Train — The Smithereens
Springsteen’s version is great, but the Smithereens are better — at least on this song. My issue with Bruce is that he has too big of a band and he’s too orchestral. Just give me the bare bones, and I’m a rockin’ all night long.
3) Stepping Stone — Sex Pistols
Which manufactured boy band does it better? The Monkees or The Sex Pistols? Always the Pistols! Love them or hate them, they are far more important a band than 99.9999% of other bands.
4) Louie, Louie — The Sonics
It’s harder to name a band that hasn’t banged away on this classic song. The original is pretty swingin’, and so are most of the covers. I was definitely torn here. The Stooges do a stellar version, as do Motorhead and Black Flag, but I had to go with The Sonics. The Kingsmen’s cover is OK, but feels lame when played alongside The Sonics. They rip the lid off the joint.
5) Eve of Destruction — The Dickies
There have been a million covers of Eve of Destruction, originally byP. F. Sloan. Everybody — from The Turtlesto Barry McGuire to The Forgotten Rebels — has covered it, but it was The Dickies that moved it out of folk-rock hell and into punk rock legend.
6) Help — The Damned
Fuck the Beatles! Wait, did you hear that right? Fuck the Beatles? Who could say that? Oh, me. Let me say it again for the cheap seats — FUCK THE BEATLES. I like some of their songs, like Help, but hate the ascension to godhood that so many people would like the Beatles to have. Fuck the Beatles, and long live The Damned.
P.S. Did I already say FUCK THE BEATLES?
7) Communication Breakdown — D.O.A.
Whoaaa, dude!!!! Whacha’ been smokin’ Zep rules forever, man! Take what I said about the Beatles and apply it double to Led Zeppelin. I love Jimmy Page, John Bonham, and John Paul Jones, but I can’t stand Robert Plant’s attitude and vocals. It’s like someone is torturing a cat, and the cat is going “Baby, baby, baby” over and over again while worshipping Lord of the Rings drivel. At least Zep brought people to the LOTR, unlike that shitbag band Rush spiking sales to the douchebag Anne Rand.
Dread Zeppelin does a good version of lots of Zep songs, but it’s DOA on their Hardcore 81 album that truly does the song justice.
8) (I Can’t Get No) Satisfaction — Devo
I like the Stones, and very few covers are better than their originals, but Satisfaction was so overplayed by every two-bit bar band in the ’70s that it was a breath of fresh air to hear such an original version.
Devo’s version was shocking for the sheer audacity of doing that many changes to a song viewed in reverence by millions. It was my favourite version of Satisfaction until I heard Guitar Wolf’s. And it’s even better live.
9) Wild In The Streets — The Circle Jerks
The Garland Jeffries' version was good “for its time,” but The Circle Jerks took it from mild to wild.
I love pre-1980s Bob Seger. He was truly a great of Detroit rock. And then the music contracts came, and I suspect the cocaine and the general Yuppie decadence of that decade from hell. My interest in his work sank like a rock. However, Eddie and the Hot Rods definitely do justice to the Chuck Berry inspired Get Out of Denver.
10+1) Absolutely Sweet Marie — Jason and the Scorchers
I started the list with a Dylan cover, and now I’m ending it for the last, since pretty much every cover of a Dylan song blows away the original. The Byrds made a career out of this truth. Dylan is an amazing songwriter, but his performances after the motorcycle accident have been lacklustre, in my jaded opinion. The occasional flash of brilliance, but mostly just great. However, his songs have raised the level of many musicians, even legendary musicians — The Byrds, Hendrix, Johnny Cash, Waylon Jennings, to name but a few.
Absolutely Sweet Marie, in Jason & the Scorcher’s hands, absolutely rocks.
The complete playlist, with the original and then the blistering cover. Enjoy.
Paul Mansfield is a writer, a photographer, a guitar player, a philosopher — some he does well, some not so well, but he still tries them all. You can follow him on Twitter @pmansfield.